BENCHLEY
When, in the year 2000, my office proposed that I represent the firm at a gathering of international taxation practitioners I was not the least bit reluctant – especially since, for once, I was not expected to present a paper or to have any organisational involvement. And who would resent a few days in Brussels? And, given the shape of the planet, one might as well continue onward after the conference, and do a bit of client stroking in London and New York.
My New York sojourn was pivoted around a visit to the headquarters of First Boston Corporation, the (at the time) pre-eminent merchant banker. First Boston had its Australian operations based in Melbourne, and was a client of my office. The First Boston people arranged for me to speak to “the whole team” at corporate headquarters in Manhattan, which I duly did; but before that there was a gathering with about a dozen or so vice-presidents on the floor below. These senior executives were a much more formidable challenge than the full team that assembled later, not least because their typical age would have been no more than 30. My short presentation was soon taken over by rapid-fire questioning about Australia’s taxation system. My interlocutors were mostly intrigued by a peculiar feature of Australian taxation law – a provision now long since repealed. At the time Australian residents were exempt from tax on foreign income that was taxable in its source country. This is in contrast to the present system and to the system that then applied in the USA, namely the aggregating and taxing of worldwide income, with credit then given for tax already paid on foreign income in the country of source.
The First Boston people I visited that day occupied the 99th and 100th floors of the World Trade Center. A short while later First Boston relocated……..that is, before the obscenity of nine-eleven 2001; but the memory of my visit will forever be overlaid by what happened so soon after the visit, and the annihilation of the then occupants of those two floors.
While the ostensible reason for my New York mission was client service, myunderlying focus was a couple of days of sight-seeing, and a bit of Big Apple immersion; and, specifically, staying at The Algonquin Hotel.
By the way, The Algonquin is on West 44th Street, mid-town Manhattan, and in the twilight of my morning visit to the First Boston offices I walked the four miles to the World Trade Center, soaking it all in.
So why The Algonquin? Well, The Algonquin was renowned for the so-called Algonquin Round Table, the literary group that gathered there through the years, roughly 1919 to 1929. The group met in he Rose Room for lunch, daily! Members of the Round Table were a disparate group of actors, writers, critics, and New York people about town. Attendance was fluid. So-called “charter members” included Alexander Woollcott (drama critic, and – subsequently - the inspiration for the leading character in the George S. Kaufman/Moss Hart play The Man Who Came to Dinner), George S. Kaufman (himself), Harold Ross (editor of The New Yorker), Dorothy Parker (critic and writer), and Robert Benchley.
A couple of quotes from Wikipedia: “At these luncheons they engaged in wisecracks, wordplay, and witticisms that, through the newspaper columns of Round Table members, were disseminated across the country.” “The group was devoted to games, including cribbage and poker [and] had its own poker club…….which met at the hotel on Saturday nights…….The group also played charades……and the ‘I give you a sentence’ game, which spawned Dorothy Parker’s memorable sentence using the word horticulture: ‘You can lead a horticulture but you can’t make her think.’”
There are those who have regarded the members of the Algonquin Round Table as unserious, indeed frivolous; nevertheless, their ethos has endured. There’s much to be said for an outlook that’s light-hearted rather than serious. As much as any of the Round Table members, Robert Benchley typified this attitude.
My early acquaintance with and admiration for Robert Benchley I attribute to my uncle, Bill Warren, who cultivated in me similar admiration for the aforementioned Dorothy Parker and Alexander Woollcott. And for Stephen Leacock. And James Thurber. Humorous writers all. My recent re-acquaintance with Benchley has been triggered by a gift from my son-in-law: Pluck and Luck, a volume of Benchley essays rescued from an op shop – the volume not the son-in-law! Martin has no desire to be rescued.
Robert Benchley lived from 1889 to 1945, a modest span terminated, according to one source, by lung cancer and to another source by cirrhosis of the liver. Choose your vice! He is described as a newspaper columnist, as an American humourist, and as an actor. There was much overlapping of his disparate careers.
Benchley’s paternal grandfather had been Lieutenant Governor of Massachusetts, later jailed in Texas for his active role in the “underground railroad”, the clandestine movement that provided the wherewithal for Negro slaves to escape to the North. Later, Benchley’s father had served in the Union Army during the Civil War, and spent four years in the American Navy before returning to Worcester (Massachusetts), later becoming Town Clerk. Benchley’s older brother, Edmund, trained at West Point, served in the Spanish-American War, and was killed in the Battle of San Juan Hill – when Robert Benchley was nine years only. Absent from Benchley’s biographical background are the stereotypical tropes of success through failure, or triumph through adversity.
One source notes that “Benchley was the pampered son of prosperous parents, groomed for corporate boardrooms. He declined such a fate.” He embraced humour: he wrote his senior school literature thesis on How to Embalm a Corpse. At Harvard, his fraternity after-dinner speeches were acclaimed for their pseudo-serious nonsense. After Harvard he worked as a copywriter, meanwhile submitting humorous essays to magazines. He wrote a book review of the phone book: “It is the opinion of the reviewer that the weakness of plot is due to the great number of characters which clutter up the pages.” He was, for a time, managing editor of Vanity Fair. The anecdotes are endless. One time he cabled the office from Venice: “Streets full of water. Please advise.”
Benchley’s published output was prodigious. Over his career he was drama critic for Life magazine and, additionally, wrote for Life’s The Wayward Press column (1920 to 1929). He was a long-time contributor to The New Yorker. There were twelve collections of his essays during his lifetime, and ten posthumous collections. I have read my recent acquisition, and re-read a volume pulled from my shelf. ThePluck and Luck compilation was published in 1925, and the author acknowledges prior publication of the 50 “articles” in Life, The Detroit Athletic Club News, The Bookman, College Humour and Theatre Guild Program. The other volume, Benchley – or Else!, was published posthumously in 1948 as “a collection of Benchley’s articles”. There are 70 of them. The publishers do not indicate where first published, or provide a chronology. It matters little……22 lifetime collections of essays, all told more than 600, made Benchley a busy beaver indeed.
But, that’s not the half of it. Benchley wrote/ featured in/wrote titles for or narrated 50 feature films. And played in 51 short non-feature films, nearly all of which he wrote! Much of this output might be consigned to the inconsequential basket, nevertheless it does indicate that Benchley and his humour was taken very seriously in the day, and that he had a huge persona in the eyes of the American public. His on-screen mien was typically droll, verging on lugubrious, invariably accepting of his hapless predicament; the average Joe in a pickle.
Now, I don’t expect that Robert Benchley has much of a following these days. Not so long ago his writings were accessible only on library shelves or from op shop bins, so scarcity was an issue. But these days much is available through book dealers on line. And, I see that three Benchley volumes are available (complete, and gratis) for download through Project Gutenberg. As to the uncollected writings in magazine archives, well good luck sourcing them.
With the films: these have long since faded from public screening, but the internet provides hope. Numerous short-subject Benchley films can be accessed - simply Google “Robert Benchley Movies”.
The question is whether there is anything in the Benchley catalogue that is a must read or a must-see? I’d suggest “yes” - so long as you undertake your search with a mindset like “sly”, “amusing”, “interesting”, “droll”. A dedicated rainy afternoon might reveal two or three readers or viewers who find Robert Benchley’s humour to be fine-tuned to their wavelength. Or a whole new generation!
And The Algonquin? I read somewhere that prestigious hotels aim to “refresh” their rooms every five to seven years, and to effect major renovations every ten to fifteen years. I suspect that, when I visited in 2000, The Algonquin people hadn’t read this. Or that they were exponents of the tired but comfortable school – and, what the heck, no amount of shazam can convert a room from smallish to palatial. Anyway, the intervening 25 years have, I see, achieved major improvement and generated some spruce…..such that, today, the single room rack rate is $A909. The many on-line photographs illustrate a very affable establishment indeed. 181 rooms, by the way, should you wish to take the family. No amount of history or nostalgia, however, was able to save the Rose Room - which had been re-modelled out of existence in 1998.
Sadly, among The Algonquin’s voluminous web-site content there is no reference to the Round Table, past or present. But scroll carefully through the numerous photographs on the Bookings.com site, and at #14/57 you will see Robert Benchley, above the sideboard, in waistcoat and shirtsleeves, amused and contented.

By way of postscript: The famous quotes of famous people tend to be somewhat corrupted over time and through the constant re-telling but, for what it’s worth, here are some bons mots attributed to Robert Benchley:
# The only real cure for a hangover is death.
# If you’ll excuse me, I’d like to get out of these wet things and into a dry martini.
#. Even nowadays a man can’t step up and kill a woman without feeling just a bit unchivalrous.
# I know I’m drinking myself to a slow death, but then I’m in no hurry.
# Drawing on my fine command of the English language, I said nothing.
#. If Mr. Einstein doesn’t like the natural laws of the universe, let him go back to where he came from.
#. The surest way to make a monkey of a man is to quote him.
#. The freelance writer is a man who is paid per piece or per word or perhaps.
#. There is a fairly prevalent notion that if you have been behind the scenes where the chorus girls are, you ought to go to confession right away, but that it is worth it.
# Bear-hunting has never been the same since the supply of bears ran out.
Gary Andrews

